{"id":2226,"date":"2024-09-06T10:19:30","date_gmt":"2024-09-06T08:19:30","guid":{"rendered":"https:\/\/ezequiel-garcia-romeu.com\/?page_id=2226"},"modified":"2024-09-06T10:21:32","modified_gmt":"2024-09-06T08:21:32","slug":"micromegas","status":"publish","type":"page","link":"https:\/\/ezequiel-garcia-romeu.com\/en\/micromegas\/","title":{"rendered":"Micromegas"},"content":{"rendered":"
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Micromegas<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\"We ought to first tell the delight we have to find on the scene neither Micro nor Megas, but two characters whose appearance and relations are enough to make the 18th century present: although they belong to another (great) playwright, we are reminded of Jacques and his Master, but also (a little) of Candide and Pangloss, even if all that \"is not yet that\". In any case, a Master and his disciple. One who speaks and teaches, the other who listens and asks, with two very different backgrounds, ages and bodies. Here, unlike Voltaire's two giants who travel from comet to comet, it's the words that take us on a journey. And the image. This is indeed theatre.<\/p>

Immobile (but rather agitated), the two men benefit a little from Sirius's point of view: at their fingertips, the world (the universe?) is offered up to their tricks (at least to the Master's) as if on a conjuring tray: apples appear, white worms advance and then disappear, a little puppet absorbed in its reading delicately turns the pages of a newspaper, others, later, will serve drinks. There are two worlds. That of the grown-ups (our two characters), and that of the little people (the others, who emerge from the trap doors and enter in silence). The one above and the one below. One world, the theatre. A black tulle curtain veils the stage, and sometimes uncovers it: like a bandstand in a public garden, or a large aviary; a galaxy too, where the stars revolve around the planets that are our two characters, and that we in turn watch. Interlocking. Theatre in the abstract. Relativity.<\/p>

- Jean-Luc Matteoli, April 2003.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/path><\/svg><\/span><\/path><\/svg><\/span>Casting<\/span><\/div>

Directed by \u00c9z\u00e9quiel Garcia-Romeu.<\/p>

Adaptation: \u00c9z\u00e9quiel Garcia-Romeu & Pascale Pinamonti.<\/p>

Acting: Jacques Fornier (The Master<\/em>) & Mouss (The Disciple<\/em>).<\/p>

Puppeteering: Pascale Pinamonti & \u00c9z\u00e9quiel Garcia-Romeu and Fran\u00e7ois Tomsu (alternating).<\/p>

Scenography: \u00c9z\u00e9quiel Garcia-Romeu & Fran\u00e7ois Tomsu.<\/p>

Lighting: Marie-Christine Scaglia.<\/p>

Costumes: Fran\u00e7ois Tomsu.<\/p>

Video: Olivier Gillon & Fr\u00e9d\u00e9ric Maire.<\/p>

Set and puppet construction: \u00c9z\u00e9quiel Garcia-Romeu, St\u00e9phane Jankowski, Pascale Pinamonti, Beno\u00eet Roland & Fran\u00e7ois Tomsu.<\/p>

Stage manager: Fr\u00e9d\u00e9ric Maire.<\/p>

Music by Daniel Teruggi and Jimi Hendrix.<\/p><\/div>\n\t\t\t\t\t<\/div>

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<\/path><\/svg><\/span><\/path><\/svg><\/span>Coproduction<\/span><\/div>
  • Th\u00e9\u00e2tre de la Massue - Cie \u00c9z\u00e9quiel Garcia-Romeu;<\/li>
  • Le Granit - Sc\u00e8ne Nationale de Belfort ;<\/li>
  • La Coupole - Sc\u00e8ne Nationale de S\u00e9nart ;<\/li>
  • L'Arche - Sc\u00e8ne conventionn\u00e9e pour l'enfance et la jeunesse ;<\/li>
  • Th\u00e9\u00e2tre de l'Agora - Sc\u00e8ne Nationale d'Evry et de l'Essonne ;<\/li>
  • Haute-Normandie Region - Th\u00e9\u00e2tre en R\u00e9gion ;<\/li>
  • Th\u00e9\u00e2tre de l'Espace - Sc\u00e8ne Nationale de Besan\u00e7on.<\/li><\/ul>

    \u00a0<\/p>

    With the participation of the Direction R\u00e9gionale des Affaires Culturelles Provence Alpes C\u00f4te d'Azur, the Office R\u00e9gional \u00e0 la Culture de la R\u00e9gion Provence Alpes C\u00f4te d'Azur and the Conseil G\u00e9n\u00e9ral des Alpes-Maritimes.<\/p>

    Acknowledgements: Centre Chor\u00e9graphique National de Belfort, Th\u00e9\u00e2tre Jeune Public de Strasbourg and Lyc\u00e9e Viette Audiovisuel de Montb\u00e9liard.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Microm\u00e9gas \u00ab\u00a0Il faudrait d\u2019abord dire le bonheur qu\u2019on go\u00fbte \u00e0 ne trouver sur sc\u00e8ne ni Micro ni Megas, mais deux personnages dont l\u2019aspect et les rapports suffisent \u00e0 rendre pr\u00e9sent […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2226","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/pages\/2226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/comments?post=2226"}],"version-history":[{"count":5,"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/pages\/2226\/revisions"}],"predecessor-version":[{"id":2318,"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/pages\/2226\/revisions\/2318"}],"wp:attachment":[{"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/media?parent=2226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}