{"id":2236,"date":"2024-09-06T10:34:38","date_gmt":"2024-09-06T08:34:38","guid":{"rendered":"https:\/\/ezequiel-garcia-romeu.com\/?page_id=2236"},"modified":"2024-09-06T10:50:54","modified_gmt":"2024-09-06T08:50:54","slug":"banquet-shakespeare","status":"publish","type":"page","link":"https:\/\/ezequiel-garcia-romeu.com\/en\/banquet-shakespeare\/","title":{"rendered":"Shakespeare banquet"},"content":{"rendered":"
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Shakespeare banquet<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Sitting at a dimly-lit desk on the edge of a circular crater-shaped device, someone is waiting for us. She seems to have suffered from the effects of the darkness to which she has been confined for so long.<\/p>

This place is hers, her theatre as round as Shakespeare's Globe or a museum's circus. It is not on our scale, but that of the characters who, guided by the narration of J. Kott's text, will come to revisit the scene of the crime, in other words the stage of this small wooden theatre, formed by the bottom of the crater.<\/p>

To tirelessly retrace, for those who want to listen, the path from fury to silence, from crime to madness.<\/p>

Maybe it's all a game? From underneath, from one trapdoor or another, these characters appear and emerge, in turn intriguing, astonishing or observant. Here, discovering a skull in a sack full of earth; there, trying to place a crown on the head of a faceless creature: we don't play the scenes, we can tell them. Something else is going on, a reflection of the \"long chain of crimes\" referred to by J. Kott.<\/p>

Odile Sankara, our lead actress, acts on the story's machinery in both the figurative and literal sense. With her hands on the controls of her old wooden theatre's rigging, she goes fishing for spectres and small characters, waking them up from the deep night into which they had sunk.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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<\/path><\/svg><\/span><\/path><\/svg><\/span>Casting<\/span><\/div>

Directed by \u00c9z\u00e9quiel Garcia-Romeu.<\/p>

Dramaturgy: Laurent Caillon, based on Jan Kott and Shakespeare's tragedies.<\/em><\/p>

Acting: Christophe Avril & Odile Sankara (coryphaeus).<\/p>

Machinery and puppets : Christophe Avril & \u00c9z\u00e9quiel Garcia-Romeu.<\/p>

Scenography and lighting: \u00c9z\u00e9quiel Garcia-Romeu & David Pasquier.<\/p>

Decorative painter: Claudia Andrea Mella Diaz<\/p>

Construction of props and scenic elements: Christophe Avril & Studios of the TNN - CDN de Nice.<\/p><\/div>\n\t\t\t\t\t<\/div>

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<\/path><\/svg><\/span><\/path><\/svg><\/span>Coproduction<\/span><\/div>
  • Th\u00e9\u00e2tre de la Massue - Cie \u00c9z\u00e9quiel Garcia-Romeu;<\/li>
  • Th\u00e9\u00e2tre de la Commune - CDN d'Aubervilliers ;<\/li>
  • Th\u00e9\u00e2tre National de Nice (TNN);<\/li><\/ul>

    \u00a0<\/p>

    With support from DRAC PACA, R\u00e9gion PACA, Conseil d\u00e9partemental des Alpes-Maritimes, Ville de Nice and Conseil g\u00e9n\u00e9ral de Seine-Saint-Denis.<\/p><\/div>\n\t\t\t\t\t<\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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    <\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

    Banquet Shakespeare Assise \u00e0 un pupitre faiblement \u00e9clair\u00e9, au bord d\u2019un dispositif circulaire en forme de crat\u00e8re, une personne nous attend. Elle semble avoir subi le contre-effet de l\u2019obscurit\u00e9 \u00e0 […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2236","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/pages\/2236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/comments?post=2236"}],"version-history":[{"count":8,"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/pages\/2236\/revisions"}],"predecessor-version":[{"id":2315,"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/pages\/2236\/revisions\/2315"}],"wp:attachment":[{"href":"https:\/\/ezequiel-garcia-romeu.com\/en\/wp-json\/wp\/v2\/media?parent=2236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}