Le Petit Théâtre du Bout du Monde - Opus II
An allegory of the world, a poetic and theatrical performance, Le Petit Théâtre du Bout du Monde ignores the boundaries of space and time.
An artist of the infinitesimal, Ézéquiel Garcia-Romeu is a demiurge who reveals an extraordinary world, in a precarious equilibrium between the beauty and brutality of matter.
From the outset, the Théâtre de la Massue breaks the mold and invites us to construct a live territory in interaction with its audience.
On stage, a hazy, rugged landscape emerges, gradually populated by puppets with sculpted faces. Here and there, these little creatures are busy with strange and sometimes absurd tasks, meticulously participating in a clever little machine, immersed in this artisanal universe made of wood, salvaged objects and strings. As the performance unfolds, paths of hope emerge within this moving metaphor for the human condition.
Design and scenography: Ézéquiel Garcia-Romeu.
Dramaturgy and advising: Laurent Caillon
Puppets : Ézéquiel Garcia-Romeu, Martine Le Saout, Iroslav Petkov.
Stage management: Thierry Hett.
Sound design: Stéphane Morisse.
Original music composition: René Koering.
Acting and puppeteering: Thierry Hett, Alicia Malialin, Roxane Merten-Pallanca, Iroslav Petkov, Inbal Yomtovian.
Trainees: Ana Almeida, Odila Artru, Célia Hue.
- Théâtre de la Massue - Cie Ézéquiel Garcia-Romeu;
- Théâtre National de Nice ;
- Théâtre Nouvelle Génération - Centre dramatique national de Lyon ;
- Le Théâtre - Scène nationale de Sénart ;
- Le Carré - Scène nationale de Château-Gontier ;
- National Puppet Theatre of Vidin (Bulgaria) ;
- Plovdiv, European Capital of Culture (Bulgaria) ;
- The Extrapole.
With the support of :
- The French Institute ;
- La Gare france (Marseille) ;
- Le Mouffetard (Paris) ;
- Université Côte d'Azur (Nice) ;
- École nationale supérieure des arts techniques et du théâtre (Lyon) ;
- French Tech Culture (Avignon) ;
- La Chartreuse (Villeneuve lez Avignon) ;
- University of the Arts, Havana (Cuba).
