Théâtre de la Massue

Cie Ézéquiel Garcia-Romeu

Le Petit Théâtre du Bout du Monde - Opus II

Le Petit Théâtre du Bout du Monde - Opus II / Théâtre de la Massue - Cie Ézéquiel Garcia-Romeu / ©Juliana Dubovska

Photograph Juliána Dubovská

An allegory of the world, a poetic and theatrical performance, Le Petit Théâtre du Bout du Monde ignores the boundaries of space and time.

An artist of the infinitesimal, Ézéquiel Garcia-Romeu is a demiurge who reveals an extraordinary world, in a precarious equilibrium between the beauty and brutality of matter.

From the outset, the Théâtre de la Massue breaks the mold and invites us to construct a live territory in interaction with its audience.

On stage, a hazy, rugged landscape emerges, gradually populated by puppets with sculpted faces. Here and there, these little creatures are busy with strange and sometimes absurd tasks, meticulously participating in an ingenious little machine, immersed in a craft universe made of wood, salvaged objects and string. As the performance progresses, paths of hope emerge within this moving metaphor for the human condition.

Casting

Design and scenography: Ézéquiel Garcia-Romeu.

Dramaturgy and advising: Laurent Caillon

Puppets : Ézéquiel Garcia-Romeu, Martine Le Saout, Iroslav Petkov.

Stage management: Thierry Hett.

Sound design: Stéphane Morisse.

Original music composition: René Koering.

Acting and puppeteering: Thierry Hett, Alicia Malialin, Roxane Merten-Pallanca, Iroslav Petkov, Inbal Yomtovian. 

Trainees: Ana Almeida, Odila Artru, Célia Hue.

Production, co-production, support

Production :

  • Théâtre de la Massue - Ézéquiel Garcia-Romeu company

Coproduction :

  • Théâtre National de Nice, National Dramatic Centre Nice-Côte d’Azur – TNN
  • New Generation Theatre, National Drama Centre of Lyon – TNG
  • Théâtre-Sénart, National Stage (Lieusaint)
  • LLa Carré, Scène Nationale (Château-Gontier sur Mayenne)
  • National Puppet Theatre of Vidin (Bulgaria)
  • Plovdiv, European Capital of Culture (Bulgaria)
  • L'ExtraPôle (Marseille)

With the support of :

  • Ministry of Culture – Regional Directorate of Cultural Affairs PACA
  • South Region – PACA
  • Department of Alpes-Maritimes
  • City of Nice
  • French Institute
  • Speedy dam

Thank you:

  • La Gare franche (Marseille)
  • Le Mouffetard (Paris)
  • Université Côte d’Azur (Nice)
  • La Chartreuse, National Centre for Performing Arts Writing
Representations

Full recording available on request.

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